{"id":55984,"date":"2026-06-11T15:34:47","date_gmt":"2026-06-11T13:34:47","guid":{"rendered":"https:\/\/www.ulitarnica.ro\/wp\/?p=55984"},"modified":"2026-07-09T15:23:48","modified_gmt":"2026-07-09T13:23:48","slug":"oglinzi-sparte","status":"publish","type":"post","link":"https:\/\/www.ulitarnica.ro\/wp\/oglinzi-sparte\/","title":{"rendered":"Oglinzi sparte"},"content":{"rendered":"\n

Undeva \u00eentre Vene\u021bia \u0219i Isfahan, pe un drum de caravan\u0103 cu gropi \u0219i c\u0103mile moroc\u0103noase, s-au spart ni\u0219te oglinzi. Accident banal, marf\u0103 pierdut\u0103, negustor nec\u0103jit. Sf\u00e2r\u0219itul pove\u0219tii. Sau ar fi trebuit s\u0103 fie.<\/p>\n\n\n\n

N-a fost.<\/p>\n\n\n\n

La curtea safavid\u0103 a lui Shah Abbas I (1571\u20131629), oglinzile vene\u021biene erau obiect de fascina\u021bie \u0219i de prestigiu diplomatic. Produc\u021bia de oglinzi din amalgam de staniu era un secret bine p\u0103zit al Vene\u021biei, iar a de\u021bine una era un semn al cosmopolitismului \u0219i al gustului rafinat. Shah Abbas era at\u00e2t de interesat de produsele europene \u00eenc\u00e2t Senatul vene\u021bian autoriza sume substan\u021biale pentru cadourile diplomatice trimise la curtea sa, sticl\u0103rie de lux, argint\u0103rie, arme.<\/p>\n\n\n\n

Dar Vene\u021bia e departe de Isfahan. \u0218i nu toate oglinzile ajungeau \u00eentregi.<\/p>\n\n\n\n

Unele ajungeau la curte cioburi, odat\u0103 cu buc\u0103\u021bile \u00eentregi, sau poate \u00een locul lor. \u0218i cineva, un me\u0219ter pragmatic, un vizir econom, cine \u0219tie, a decis c\u0103 se pot folosi \u0219i astea. Nu arunci ce str\u0103luce\u0219te. Din principiu.<\/p>\n\n\n\n

Rezultatul a fost \u0101ina-k\u0101ri<\/em>, tehnica decorativ\u0103 iranian\u0103 \u00een care suprafe\u021bele, bol\u021bi, cupole, pere\u021bi de moschee \u0219i de palat sunt acoperite cu mii de cioburi de oglind\u0103. Aceast\u0103 art\u0103 poate fi rezultatul reutiliz\u0103rii creative a fragmentelor de oglinzi importate \u0219i sparte. Nu ca mozaic ordonat, ci ca explozie \u00eenghe\u021bat\u0103. Lumina intr\u0103, se fragmenteaz\u0103, se \u00eenmul\u021be\u0219te, umple spa\u021biul cu reflexii care nu se repet\u0103 niciodat\u0103 la fel. \u021ai se cam strepezesc din\u021bii c\u00e2nd te ui\u021bi la ele, dar asta e chestie de gust.<\/p>\n\n\n\n

P\u00e2n\u0103 aici este vorba despre o simpl\u0103 reciclare creativ\u0103. Dar iranienii nu s-au oprit la estetic.<\/p>\n\n\n\n

A venit misticul \u0219i a privit peretele sclipitor. \u0218i a recunoscut acolo ceva ce \u0219tia deja din alt\u0103 surs\u0103.<\/p>\n\n\n\n

Pentru tradi\u021bia Sufi, oglinda era de mult o metafor\u0103 central\u0103, dar una cu o problem\u0103. Al-Ghazali (1058\u20131111) scria c\u0103 scopul disciplinei morale este s\u0103 purifice inima de rugina pasiunilor, p\u00e2n\u0103 c\u00e2nd, ca o oglind\u0103 curat\u0103, reflect\u0103 lumina lui Dumnezeu. Oglinda perfect\u0103, inima purificat\u0103, acesta era idealul. Tr\u0103s\u0103turile de caracter rele, dob\u00e2ndite printr-o cre\u0219tere gre\u0219it\u0103, sunt ca un fum care acoper\u0103 oglinda inimii, spunea acela\u0219i Al-Ghazali. Rugina, fumul, praful, toate sunt metafore ale opacit\u0103\u021bii spirituale.<\/p>\n\n\n\n

Rumi (1207\u20131273) merge mai departe \u0219i complic\u0103 imaginea. \u00cen Masnavi, oglinda apare \u00een dou\u0103 ipostaze. Prima este banala oglind\u0103 obi\u0219nuit\u0103, cea de toate zilele, care poate ar\u0103ta doar coaja, nu miezul. Exist\u0103 \u0219i o a doua oglind\u0103, de alt\u0103 natur\u0103, etern\u0103, care dezv\u0103luie sufletul. \u00cen discursurile sale, Rumi formuleaz\u0103 direct: Dumnezeu a creat o oglind\u0103, fa\u021ba ei str\u0103lucitoare e inima, spatele ei \u00eentunecat e lumea.<\/p>\n\n\n\n

Dar inima perfect\u0103, oglinda f\u0103r\u0103 fisur\u0103, de unde s-o iei? Asta e tocmai problema. O suprafa\u021b\u0103 perfect\u0103 \u0219i opac\u0103 reflect\u0103 uniform, dar nu las\u0103 lumina s\u0103 intre. Fragmentarea, spargerea, imperfec\u021biunea, acestea sunt condi\u021biile revela\u021biei, nu obstacolele ei. Ciobul reflect\u0103 din unghi unic, irepetabil. O mie de cioburi, o mie de unghere ale divinului, simultan.<\/p>\n\n\n\n

Din aceast\u0103 perspectiv\u0103, \u0101ina-k\u0101ri<\/em> nu mai era deloc o tehnic\u0103 de art\u0103 decorativ\u0103. Era o teologie aplicat\u0103 pe perete.<\/p>\n\n\n\n

Vene\u021bia n-a aflat niciodat\u0103. A v\u00e2ndut oglinzi, sau a pierdut oglinzi pe drum \u0219i undeva \u00een Persia accidentul ei s-a transformat \u00een teologie. <\/p>\n\n\n\n

A dat de un transport prost \u0219i a cr\u0103pat o estetic\u0103 mistic\u0103.<\/p>\n\n\n

\n
\"\"<\/a><\/figure>\n<\/div>
0<\/span><\/a><\/div> <\/div>
<\/div><\/div>
<\/div>","protected":false},"excerpt":{"rendered":"

Undeva \u00eentre Vene\u021bia \u0219i Isfahan, pe un drum de caravan\u0103 cu gropi \u0219i c\u0103mile moroc\u0103noase, s-au spart ni\u0219te oglinzi. Accident banal, marf\u0103 pierdut\u0103, negustor nec\u0103jit. Sf\u00e2r\u0219itul pove\u0219tii. Sau ar fi trebuit s\u0103 fie. N-a fost. La curtea safavid\u0103 a lui Shah Abbas I (1571\u20131629), oglinzile vene\u021biene erau obiect de fascina\u021bie \u0219i de prestigiu diplomatic. Produc\u021bia de oglinzi din amalgam de staniu era un secret bine p\u0103zit al Vene\u021biei, iar a de\u021bine una era un semn al cosmopolitismului \u0219i al gustului rafinat. Shah Abbas era at\u00e2t de interesat de produsele europene \u00eenc\u00e2t Senatul vene\u021bian autoriza sume substan\u021biale pentru cadourile diplomatice trimise la curtea sa, sticl\u0103rie de lux, argint\u0103rie, arme. Dar Vene\u021bia e departe de Isfahan. \u0218i nu toate oglinzile ajungeau \u00eentregi. Unele ajungeau la curte cioburi, odat\u0103 cu buc\u0103\u021bile \u00eentregi, sau poate \u00een locul lor. \u0218i cineva, un me\u0219ter pragmatic, un vizir econom, cine \u0219tie, a decis c\u0103 se pot folosi \u0219i astea. Nu arunci ce str\u0103luce\u0219te. Din principiu. Rezultatul a fost \u0101ina-k\u0101ri, tehnica decorativ\u0103 iranian\u0103 \u00een care suprafe\u021bele, bol\u021bi, cupole, pere\u021bi de moschee \u0219i de palat sunt acoperite cu mii de cioburi de oglind\u0103. Aceast\u0103 art\u0103 poate fi rezultatul reutiliz\u0103rii creative a fragmentelor de oglinzi importate \u0219i sparte. Nu ca mozaic ordonat, ci ca explozie \u00eenghe\u021bat\u0103. Lumina intr\u0103, se fragmenteaz\u0103, se \u00eenmul\u021be\u0219te, umple spa\u021biul cu reflexii care nu se repet\u0103 niciodat\u0103 la fel. \u021ai se cam strepezesc din\u021bii c\u00e2nd te ui\u021bi la ele, dar asta e chestie de gust. P\u00e2n\u0103 aici este vorba despre o simpl\u0103 reciclare creativ\u0103. Dar iranienii nu s-au oprit la estetic. A venit misticul \u0219i a privit peretele sclipitor. \u0218i a recunoscut acolo ceva ce \u0219tia deja din alt\u0103 surs\u0103. Pentru tradi\u021bia Sufi, oglinda era de mult o metafor\u0103 central\u0103, dar una cu o problem\u0103. Al-Ghazali (1058\u20131111) scria c\u0103 scopul disciplinei morale este s\u0103 purifice inima de rugina pasiunilor, p\u00e2n\u0103 c\u00e2nd, ca o oglind\u0103 curat\u0103, reflect\u0103 lumina lui Dumnezeu. Oglinda perfect\u0103, inima purificat\u0103, acesta era idealul. Tr\u0103s\u0103turile de caracter rele, dob\u00e2ndite printr-o cre\u0219tere gre\u0219it\u0103, sunt ca un fum care acoper\u0103 oglinda inimii, spunea acela\u0219i Al-Ghazali. Rugina, fumul, praful, toate sunt metafore ale opacit\u0103\u021bii spirituale. Rumi (1207\u20131273) merge mai departe \u0219i complic\u0103 imaginea. \u00cen Masnavi, oglinda apare \u00een dou\u0103 ipostaze. Prima este banala oglind\u0103 obi\u0219nuit\u0103, cea de toate zilele, care poate ar\u0103ta doar coaja, nu miezul. Exist\u0103 \u0219i o a doua oglind\u0103, de alt\u0103 natur\u0103, etern\u0103, care dezv\u0103luie sufletul. \u00cen discursurile sale, Rumi formuleaz\u0103 direct: Dumnezeu a creat o oglind\u0103, fa\u021ba ei str\u0103lucitoare e inima, spatele ei \u00eentunecat e lumea. Dar inima perfect\u0103, oglinda f\u0103r\u0103 fisur\u0103, de unde s-o iei? Asta e tocmai problema. O suprafa\u021b\u0103 perfect\u0103 \u0219i opac\u0103 reflect\u0103 uniform, dar nu las\u0103 lumina s\u0103 intre. Fragmentarea, spargerea, imperfec\u021biunea, acestea sunt condi\u021biile revela\u021biei, nu obstacolele ei. Ciobul reflect\u0103 din unghi unic, irepetabil. O mie de cioburi, o mie de unghere ale divinului, simultan. Din aceast\u0103 perspectiv\u0103, \u0101ina-k\u0101ri nu mai era deloc o tehnic\u0103 de art\u0103 decorativ\u0103. Era o teologie aplicat\u0103 pe perete. Vene\u021bia n-a aflat niciodat\u0103. A v\u00e2ndut oglinzi, sau a pierdut oglinzi pe drum \u0219i undeva \u00een Persia accidentul ei s-a transformat \u00een teologie. A dat de un transport prost \u0219i a cr\u0103pat o estetic\u0103 mistic\u0103. +9 0<\/p>\n","protected":false},"author":2,"featured_media":55986,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1027,1029],"tags":[],"class_list":["post-55984","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-idei-ulitarnice","category-unde-dai-si-unde-crapa"],"yoast_head":"\nOglinzi sparte - Unde dai \u0219i unde crap\u0103 - Uli\u021barnica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ulitarnica.ro\/wp\/oglinzi-sparte\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oglinzi sparte - Unde dai \u0219i unde crap\u0103 - Uli\u021barnica\" \/>\n<meta property=\"og:description\" content=\"Undeva \u00eentre Vene\u021bia \u0219i Isfahan, pe un drum de caravan\u0103 cu gropi \u0219i c\u0103mile moroc\u0103noase, s-au spart ni\u0219te oglinzi. Accident banal, marf\u0103 pierdut\u0103, negustor nec\u0103jit. Sf\u00e2r\u0219itul pove\u0219tii. Sau ar fi trebuit s\u0103 fie. N-a fost. La curtea safavid\u0103 a lui Shah Abbas I (1571\u20131629), oglinzile vene\u021biene erau obiect de fascina\u021bie \u0219i de prestigiu diplomatic. Produc\u021bia de oglinzi din amalgam de staniu era un secret bine p\u0103zit al Vene\u021biei, iar a de\u021bine una era un semn al cosmopolitismului \u0219i al gustului rafinat. Shah Abbas era at\u00e2t de interesat de produsele europene \u00eenc\u00e2t Senatul vene\u021bian autoriza sume substan\u021biale pentru cadourile diplomatice trimise la curtea sa, sticl\u0103rie de lux, argint\u0103rie, arme. Dar Vene\u021bia e departe de Isfahan. \u0218i nu toate oglinzile ajungeau \u00eentregi. Unele ajungeau la curte cioburi, odat\u0103 cu buc\u0103\u021bile \u00eentregi, sau poate \u00een locul lor. \u0218i cineva, un me\u0219ter pragmatic, un vizir econom, cine \u0219tie, a decis c\u0103 se pot folosi \u0219i astea. Nu arunci ce str\u0103luce\u0219te. Din principiu. Rezultatul a fost \u0101ina-k\u0101ri, tehnica decorativ\u0103 iranian\u0103 \u00een care suprafe\u021bele, bol\u021bi, cupole, pere\u021bi de moschee \u0219i de palat sunt acoperite cu mii de cioburi de oglind\u0103. Aceast\u0103 art\u0103 poate fi rezultatul reutiliz\u0103rii creative a fragmentelor de oglinzi importate \u0219i sparte. Nu ca mozaic ordonat, ci ca explozie \u00eenghe\u021bat\u0103. Lumina intr\u0103, se fragmenteaz\u0103, se \u00eenmul\u021be\u0219te, umple spa\u021biul cu reflexii care nu se repet\u0103 niciodat\u0103 la fel. \u021ai se cam strepezesc din\u021bii c\u00e2nd te ui\u021bi la ele, dar asta e chestie de gust. P\u00e2n\u0103 aici este vorba despre o simpl\u0103 reciclare creativ\u0103. Dar iranienii nu s-au oprit la estetic. A venit misticul \u0219i a privit peretele sclipitor. \u0218i a recunoscut acolo ceva ce \u0219tia deja din alt\u0103 surs\u0103. Pentru tradi\u021bia Sufi, oglinda era de mult o metafor\u0103 central\u0103, dar una cu o problem\u0103. Al-Ghazali (1058\u20131111) scria c\u0103 scopul disciplinei morale este s\u0103 purifice inima de rugina pasiunilor, p\u00e2n\u0103 c\u00e2nd, ca o oglind\u0103 curat\u0103, reflect\u0103 lumina lui Dumnezeu. Oglinda perfect\u0103, inima purificat\u0103, acesta era idealul. Tr\u0103s\u0103turile de caracter rele, dob\u00e2ndite printr-o cre\u0219tere gre\u0219it\u0103, sunt ca un fum care acoper\u0103 oglinda inimii, spunea acela\u0219i Al-Ghazali. Rugina, fumul, praful, toate sunt metafore ale opacit\u0103\u021bii spirituale. Rumi (1207\u20131273) merge mai departe \u0219i complic\u0103 imaginea. \u00cen Masnavi, oglinda apare \u00een dou\u0103 ipostaze. Prima este banala oglind\u0103 obi\u0219nuit\u0103, cea de toate zilele, care poate ar\u0103ta doar coaja, nu miezul. Exist\u0103 \u0219i o a doua oglind\u0103, de alt\u0103 natur\u0103, etern\u0103, care dezv\u0103luie sufletul. \u00cen discursurile sale, Rumi formuleaz\u0103 direct: Dumnezeu a creat o oglind\u0103, fa\u021ba ei str\u0103lucitoare e inima, spatele ei \u00eentunecat e lumea. Dar inima perfect\u0103, oglinda f\u0103r\u0103 fisur\u0103, de unde s-o iei? Asta e tocmai problema. O suprafa\u021b\u0103 perfect\u0103 \u0219i opac\u0103 reflect\u0103 uniform, dar nu las\u0103 lumina s\u0103 intre. Fragmentarea, spargerea, imperfec\u021biunea, acestea sunt condi\u021biile revela\u021biei, nu obstacolele ei. Ciobul reflect\u0103 din unghi unic, irepetabil. O mie de cioburi, o mie de unghere ale divinului, simultan. Din aceast\u0103 perspectiv\u0103, \u0101ina-k\u0101ri nu mai era deloc o tehnic\u0103 de art\u0103 decorativ\u0103. Era o teologie aplicat\u0103 pe perete. Vene\u021bia n-a aflat niciodat\u0103. A v\u00e2ndut oglinzi, sau a pierdut oglinzi pe drum \u0219i undeva \u00een Persia accidentul ei s-a transformat \u00een teologie. A dat de un transport prost \u0219i a cr\u0103pat o estetic\u0103 mistic\u0103. +9 0\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ulitarnica.ro\/wp\/oglinzi-sparte\/\" \/>\n<meta property=\"og:site_name\" content=\"Uli\u021barnica\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pages\/Ulitarnica\/494942813906889\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/pages\/Ulitarnica\/494942813906889\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-11T13:34:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-09T13:23:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.ulitarnica.ro\/wp\/wp-content\/uploads\/2026\/06\/ChatGPT-Image-Jun-11-2026-04_34_12-PM-1024x683.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"AncaHM\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@MihaelaHerbei\" \/>\n<meta name=\"twitter:site\" content=\"@MihaelaHerbei\" \/>\n<meta name=\"twitter:label1\" content=\"Scris de\" \/>\n\t<meta name=\"twitter:data1\" content=\"AncaHM\" \/>\n\t<meta name=\"twitter:label2\" content=\"Timp estimat pentru citire\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.ulitarnica.ro\\\/wp\\\/oglinzi-sparte\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.ulitarnica.ro\\\/wp\\\/oglinzi-sparte\\\/\"},\"author\":{\"name\":\"AncaHM\",\"@id\":\"https:\\\/\\\/www.ulitarnica.ro\\\/wp\\\/#\\\/schema\\\/person\\\/1de2fe90232dbef1295aeac37800a007\"},\"headline\":\"Oglinzi sparte\",\"datePublished\":\"2026-06-11T13:34:47+00:00\",\"dateModified\":\"2026-07-09T13:23:48+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.ulitarnica.ro\\\/wp\\\/oglinzi-sparte\\\/\"},\"wordCount\":581,\"publisher\":{\"@id\":\"https:\\\/\\\/www.ulitarnica.ro\\\/wp\\\/#\\\/schema\\\/person\\\/1de2fe90232dbef1295aeac37800a007\"},\"image\":{\"@id\":\"https:\\\/\\\/www.ulitarnica.ro\\\/wp\\\/oglinzi-sparte\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/www.ulitarnica.ro\\\/wp\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/ChatGPT-Image-Jun-11-2026-04_34_12-PM.png?fit=1536%2C1024&ssl=1\",\"articleSection\":[\"Idei uli\u021barnice\",\"Unde dai \u0219i unde crap\u0103\"],\"inLanguage\":\"ro-RO\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.ulitarnica.ro\\\/wp\\\/oglinzi-sparte\\\/\",\"url\":\"https:\\\/\\\/www.ulitarnica.ro\\\/wp\\\/oglinzi-sparte\\\/\",\"name\":\"Oglinzi sparte - 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Sf\u00e2r\u0219itul pove\u0219tii. Sau ar fi trebuit s\u0103 fie. N-a fost. La curtea safavid\u0103 a lui Shah Abbas I (1571\u20131629), oglinzile vene\u021biene erau obiect de fascina\u021bie \u0219i de prestigiu diplomatic. Produc\u021bia de oglinzi din amalgam de staniu era un secret bine p\u0103zit al Vene\u021biei, iar a de\u021bine una era un semn al cosmopolitismului \u0219i al gustului rafinat. Shah Abbas era at\u00e2t de interesat de produsele europene \u00eenc\u00e2t Senatul vene\u021bian autoriza sume substan\u021biale pentru cadourile diplomatice trimise la curtea sa, sticl\u0103rie de lux, argint\u0103rie, arme. Dar Vene\u021bia e departe de Isfahan. \u0218i nu toate oglinzile ajungeau \u00eentregi. Unele ajungeau la curte cioburi, odat\u0103 cu buc\u0103\u021bile \u00eentregi, sau poate \u00een locul lor. \u0218i cineva, un me\u0219ter pragmatic, un vizir econom, cine \u0219tie, a decis c\u0103 se pot folosi \u0219i astea. Nu arunci ce str\u0103luce\u0219te. Din principiu. Rezultatul a fost \u0101ina-k\u0101ri, tehnica decorativ\u0103 iranian\u0103 \u00een care suprafe\u021bele, bol\u021bi, cupole, pere\u021bi de moschee \u0219i de palat sunt acoperite cu mii de cioburi de oglind\u0103. Aceast\u0103 art\u0103 poate fi rezultatul reutiliz\u0103rii creative a fragmentelor de oglinzi importate \u0219i sparte. Nu ca mozaic ordonat, ci ca explozie \u00eenghe\u021bat\u0103. Lumina intr\u0103, se fragmenteaz\u0103, se \u00eenmul\u021be\u0219te, umple spa\u021biul cu reflexii care nu se repet\u0103 niciodat\u0103 la fel. \u021ai se cam strepezesc din\u021bii c\u00e2nd te ui\u021bi la ele, dar asta e chestie de gust. P\u00e2n\u0103 aici este vorba despre o simpl\u0103 reciclare creativ\u0103. Dar iranienii nu s-au oprit la estetic. A venit misticul \u0219i a privit peretele sclipitor. \u0218i a recunoscut acolo ceva ce \u0219tia deja din alt\u0103 surs\u0103. Pentru tradi\u021bia Sufi, oglinda era de mult o metafor\u0103 central\u0103, dar una cu o problem\u0103. Al-Ghazali (1058\u20131111) scria c\u0103 scopul disciplinei morale este s\u0103 purifice inima de rugina pasiunilor, p\u00e2n\u0103 c\u00e2nd, ca o oglind\u0103 curat\u0103, reflect\u0103 lumina lui Dumnezeu. Oglinda perfect\u0103, inima purificat\u0103, acesta era idealul. Tr\u0103s\u0103turile de caracter rele, dob\u00e2ndite printr-o cre\u0219tere gre\u0219it\u0103, sunt ca un fum care acoper\u0103 oglinda inimii, spunea acela\u0219i Al-Ghazali. Rugina, fumul, praful, toate sunt metafore ale opacit\u0103\u021bii spirituale. Rumi (1207\u20131273) merge mai departe \u0219i complic\u0103 imaginea. \u00cen Masnavi, oglinda apare \u00een dou\u0103 ipostaze. Prima este banala oglind\u0103 obi\u0219nuit\u0103, cea de toate zilele, care poate ar\u0103ta doar coaja, nu miezul. Exist\u0103 \u0219i o a doua oglind\u0103, de alt\u0103 natur\u0103, etern\u0103, care dezv\u0103luie sufletul. \u00cen discursurile sale, Rumi formuleaz\u0103 direct: Dumnezeu a creat o oglind\u0103, fa\u021ba ei str\u0103lucitoare e inima, spatele ei \u00eentunecat e lumea. Dar inima perfect\u0103, oglinda f\u0103r\u0103 fisur\u0103, de unde s-o iei? Asta e tocmai problema. O suprafa\u021b\u0103 perfect\u0103 \u0219i opac\u0103 reflect\u0103 uniform, dar nu las\u0103 lumina s\u0103 intre. Fragmentarea, spargerea, imperfec\u021biunea, acestea sunt condi\u021biile revela\u021biei, nu obstacolele ei. Ciobul reflect\u0103 din unghi unic, irepetabil. O mie de cioburi, o mie de unghere ale divinului, simultan. Din aceast\u0103 perspectiv\u0103, \u0101ina-k\u0101ri nu mai era deloc o tehnic\u0103 de art\u0103 decorativ\u0103. Era o teologie aplicat\u0103 pe perete. Vene\u021bia n-a aflat niciodat\u0103. A v\u00e2ndut oglinzi, sau a pierdut oglinzi pe drum \u0219i undeva \u00een Persia accidentul ei s-a transformat \u00een teologie. 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