{"version":"1.0","provider_name":"Uli\u021barnica","provider_url":"https:\/\/www.ulitarnica.ro\/wp","author_name":"AncaHM","author_url":"https:\/\/www.ulitarnica.ro\/wp\/author\/ancahm\/","title":"Vechiul ora\u0219 imperial - Yasunari Kawabata - Romane de demult - Uli\u021barnica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"QNQHrWcBsU\"><a href=\"https:\/\/www.ulitarnica.ro\/wp\/vechiul-oras-imperial-yasunari-kawabata\/\">Vechiul ora\u0219 imperial &#8211; Yasunari Kawabata<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ulitarnica.ro\/wp\/vechiul-oras-imperial-yasunari-kawabata\/embed\/#?secret=QNQHrWcBsU\" width=\"600\" height=\"338\" title=\"&#8222;Vechiul ora\u0219 imperial &#8211; Yasunari Kawabata&#8221; &#8211; Uli\u021barnica\" data-secret=\"QNQHrWcBsU\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ulitarnica.ro\/wp\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.ulitarnica.ro\/wp\/wp-content\/uploads\/2026\/01\/IMG_2886.jpg","thumbnail_width":600,"thumbnail_height":450,"description":"Vechiul ora\u0219 imperial de Yasunari Kawabata A primit de la mine 5 stelu\u021be din 5. Din fericire acum opt ani, c\u00e2nd am citit-o pentru prima dat\u0103 m-am \u00eenvrednicit s\u0103 notez c\u00e2teva r\u00e2nduri despre impresia pe care mi-a l\u0103sat-o. Ziceam atunci &#8230; Dintre c\u0103r\u021bile lui Yasunari Kawabata pe care le-am citit, aceasta mi-a pl\u0103cut cel mai mult. Aici toate personajele par a b\u00e2z\u00e2i \u00een armonie cu universul. \u0218i drept r\u0103splat\u0103 Universul le vine \u00een \u00eent\u00e2mpinare \u0219i-i ajut\u0103 s\u0103-\u0219i rezolve problemele. Afl\u0103m din ea povestea a dou\u0103 tufe de viorele \u0219i a dou\u0103 surori gemene. Mai afl\u0103m c\u00e2t e de greu s\u0103 creezi un chimono sau un obi \u0219i c\u00e2t e de complicat s\u0103-l d\u0103ruie\u0219ti cu delicate\u021be \u0219i elegan\u021b\u0103. \u0218i mai afl\u0103m multe lucruri despre ora\u0219ul Kyoto \u2026 prilej pentru a visa la excursia pl\u0103nuit\u0103 \u0219i a\u0219teptat\u0103. -Copil abandonat, deci? a murmurat el. Chieko-san, chiar te g\u00e2nde\u0219ti \u00eentr-adev\u0103r c\u0103 e\u0219ti un copil abandonat? Dac\u0103 tu e\u0219ti un copil abandonat, atunci \u0219i eu sunt, din punct de vedere spiritual \u2026 Probabil c\u0103 to\u021bi oamenii sunt copii abandona\u021bi. Atunci c\u00e2nd ne na\u0219tem, nu \u00eenseamn\u0103 c\u0103 am fost arunca\u021bi \u00een aceast\u0103 lume de c\u0103tre zei ? Ce fel de muzic\u0103 s-ar potrivi acestui roman ? Duo des fleurs din Lakm\u00e9 a lui L\u00e9o Delibes sau poate Barcarola din Povestirile lui Hoffmann ale lui Jacques Offenbach. La opt ani distan\u021b\u0103 impresiile sunt aproximativ acelea\u0219i dar ni\u021bel mai elaborate. R\u0103m\u00e2n la impresia c\u0103 exist\u0103 \u00een cartea aceasta un b\u00e2z\u00e2it aproape imperceptibil, ca un zgomot de fond al vie\u021bii. Nu este deloc o fisur\u0103 \u0219i nici o ruptur\u0103, nimic din cheia dramatic\u0103 cu care suntem noi obi\u0219nui\u021bi s\u0103 vie\u021buim. E doar o abatere minim\u0103 fa\u021b\u0103 de armonia universului, suficient\u0103 c\u00e2t s\u0103-\u021bi dai seama c\u0103 lucrurile sunt totu\u0219i vii. Dup\u0103 logica shintoist\u0103 exist\u0103 pe lumea asta o ordine \u021binut\u0103 laolalt\u0103 de musubi, leg\u0103tura vie care une\u0219te lucrurile f\u0103r\u0103 s\u0103 le amestece \u0219i f\u0103r\u0103 s\u0103 le for\u021beze. Tot a\u0219a, \u00een Kyoto-ul lui Kawabata lumea nu se dezechilibreaz\u0103 \u0219i nu cere s\u0103 fie reparat\u0103. Ora\u0219ul, natura, oamenii, anotimpurile \u00ee\u0219i v\u0103d de drum cu aceea\u0219i siguran\u021b\u0103 calm\u0103. Doar c\u0103, pentru un an, lucrurile vibreaz\u0103 pu\u021bin mai accentuat. Gesturile, privirile, \u00eent\u00e2lnirile nu sunt epocale, ci confirm\u0103ri ale unei ordini care func\u021bioneaz\u0103 f\u0103r\u0103 s\u0103 se explice. \u00cent\u00e2lnirea surorilor nu vine ca o surpriz\u0103 \u0219i nu cere consecin\u021be. Era deja anun\u021bat\u0103 de lucruri m\u0103runte, de semne care nu strig\u0103, ci doar se las\u0103 observate, a\u0219a cum viorelele pot cre\u0219te \u00eentr-un ar\u021bar f\u0103r\u0103 s\u0103 sfideze lumea. Nu e nevoie de dramatism ca ceva s\u0103 fie adev\u0103rat. E suficient s\u0103 vibreze \u00een ritmul universului. Grija fa\u021b\u0103 de cel\u0103lalt nu apare ca virtute c\u00e2\u0219tigat\u0103. Ea exist\u0103 dinainte, ca mod de a fi. Nimeni nu devine mai atent, nimeni nu \u00eenva\u021b\u0103 ceva esen\u021bial. Oamenii func\u021bioneaz\u0103 a\u0219a dintotdeauna, iar cartea doar le face mi\u0219c\u0103rile vizibile, ca pe ni\u0219te cercuri fine \u00een ap\u0103. Dac\u0103 exist\u0103 o r\u0103splat\u0103, ea nu vine sub forma unei rezolv\u0103ri sau a unui final rotunjit. R\u0103splata este c\u0103 lumea continu\u0103 s\u0103 func\u021bioneze f\u0103r\u0103 zgomot mare, f\u0103r\u0103 conflicte inutile, f\u0103r\u0103 nevoia de a for\u021ba sensul. Universul nu intervine \u0219i nu corecteaz\u0103. El doar \u021bine lucrurile laolalt\u0103, iar oamenii care nu ies din ritm simt asta ca pe o lini\u0219te fireasc\u0103. B\u00e2z\u00e2itul r\u0103m\u00e2ne. Nu dispare. Dar nici nu cre\u0219te. E semnul c\u0103 via\u021ba nu e o schem\u0103 perfect\u0103, ci o vibra\u021bie comun\u0103, \u00een care micile abateri nu stric\u0103 armonia, ci o fac audibil\u0103. Iar dup\u0103 ce anul acesta trece, r\u0103m\u00e2ne nagori, un alt concept shintoist, al urmei l\u0103sate de ceva ce a fost \u0219i care nu e pierdere, nici triste\u021be, ci o prezen\u021b\u0103 discret\u0103 care continu\u0103 s\u0103 fie sim\u021bit\u0103. 00"}