{"version":"1.0","provider_name":"Uli\u021barnica","provider_url":"https:\/\/www.ulitarnica.ro\/wp","author_name":"AncaHM","author_url":"https:\/\/www.ulitarnica.ro\/wp\/author\/ancahm\/","title":"Periplu prin Fran\u021ba medieval\u0103 - &#x1f1eb;&#x1f1f7; Franta - Uli\u021barnica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KlVwQVbtmg\"><a href=\"https:\/\/www.ulitarnica.ro\/wp\/periplu-prin-franta-medievala\/\">Periplu prin Fran\u021ba medieval\u0103<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ulitarnica.ro\/wp\/periplu-prin-franta-medievala\/embed\/#?secret=KlVwQVbtmg\" width=\"600\" height=\"338\" title=\"&#8222;Periplu prin Fran\u021ba medieval\u0103&#8221; &#8211; Uli\u021barnica\" data-secret=\"KlVwQVbtmg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ulitarnica.ro\/wp\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.ulitarnica.ro\/wp\/wp-content\/uploads\/2025\/10\/2025-10-16-0001-coperta.jpg","thumbnail_width":600,"thumbnail_height":450,"description":"\u00cen aceast\u0103 toamn\u0103 n-am plecat prea departe ci am r\u0103mas pe b\u0103tr\u00e2nul nostru continent. \u00cen parantez\u0103 fie spus mai b\u0103tr\u00e2n\u0103 e Asia, desigur, dar nou\u0103 europenilor, chiar \u0219i acelora de pe margine, ne place s\u0103 ne credem buricul lumii. Am plecat a\u0219adar \u00eentr-o excursie prin Fran\u021ba, la propunerea lui DAL Travel care se intitula chiar a\u0219a, Fran\u021ba Medieval\u0103. Urma s\u0103 lu\u0103m la r\u00e2nd o puzderie de ora\u0219e mai mititele \u0219i de sate pitore\u0219ti \u00een care urma s\u0103 vedem o alt\u0103 puzderie de castele \u0219i catedrale. Traseul propus a fost urm\u0103torul: Paris \u2013 Valea Loarei \u2013 Tours \u2013 Poitiers \u2013 Saint Emilion \u2013 Bordeaux \u2013 Toulouse \u2013 Carcassonne \u2013 Creissels \u2013 Albi \u2013 Saint-Cirq-Lapopie \u2013 Cahors \u2013 Rocamadour \u2013 Collonges-la-Rouge \u2013 Grotte de Lascaux \u2013 Sarlat-la-Caneda \u2013 La Roque-Cageac \u2013 Limoges \u2013 Orleans \u2013 Chartres. Zece zile pentru at\u00e2tea locuri, \u021bi-e \u0219i greu s\u0103 le cite\u0219ti, dar\u0103mite s\u0103 le str\u0103ba\u021bi. Excursia a fost, ca de obicei la DAL Travel, mai degrab\u0103 o curs\u0103 de anduran\u021b\u0103 dec\u00e2t o plimbare tihnit\u0103, o experien\u021b\u0103 obositoare, dar fertil\u0103. Avalan\u0219a de imagini \u0219i informa\u021bii te las\u0103 n\u0103uc pe moment, dar cere musai o decantare ulterioar\u0103. \u00cen cazul meu decantarea aceasta s-a produs sub forma unei amintiri de tinere\u021be, de pe vremea c\u00e2nd eram la \u0219coal\u0103 \u0219i \u00eenv\u0103\u021bam despre junimi\u0219ti. Aflam eu atunci c\u0103 la Maiorescu, \u201eforma f\u0103r\u0103 fond\u201d descria importul mimetic al unor institu\u021bii \u0219i idei occidentale \u00eentr-un context rom\u00e2nesc care nu avea \u00eenc\u0103 infrastructura social\u0103 \u0219i cultural\u0103 necesar\u0103 pentru a le sus\u021bine. Era un diagnostic pus tinere\u021bii noastre na\u021bionale: forme \u00eemprumutate (constitu\u021bii, parlamente, academii, universit\u0103\u021bi) f\u0103r\u0103 un fond organic, adic\u0103 f\u0103r\u0103 o baz\u0103 real\u0103 de educa\u021bie, moralitate \u0219i spirit civic care s\u0103 le dea con\u021binut. De parc\u0103 nu ne-ar fi pl\u0103cut niciodat\u0103 s\u0103 muncim prea mult la propriile forme, potrivite pe sufletul nostru, ci s\u0103 \u00eembr\u0103c\u0103m hainele altora, frumoase, dar cam prost croite pentru noi. Ast\u0103zi, \u00eentr-un sens invers, am putea spune c\u0103 Fran\u021ba, \u00eempreun\u0103 cu o parte a vechiului Occident \u00een general, tr\u0103ie\u0219te o \u201eform\u0103 care \u0219i-a pierdut fondul\u201d. Acolo fondul a fost construit organic: spiritul ra\u021bionalist, credin\u021ba \u00een progres, coeziunea prin cultur\u0103, codul moral al cet\u0103\u021beanului republican, toate au produs forme coerente: catedral\u0103, stat, \u0219coal\u0103, academie, muzeu. Dar \u00eentre timp aceste forme par s\u0103 se fi golit de sensul viu care le-a n\u0103scut. Catedralele, muzeele \u0219i satele ca scoase din cutie continu\u0103 s\u0103 existe, impecabile, dar ca ni\u0219te cochilii goale. Catedralele sunt imense, dar sterpe; satele, de o frumuse\u021be des\u0103v\u00e2r\u0219it\u0103, dar f\u0103r\u0103 via\u021b\u0103 adev\u0103rat\u0103; muzeele \u021bepene \u0219i coapte pentru a fi jefuite. Elegan\u021ba s-a p\u0103strat, \u00eens\u0103 sensul viu pare s\u0103 fi disp\u0103rut. Civiliza\u021bia francez\u0103 \u0219i-a conservat perfect formele, dar motorul interior \u2014 credin\u021ba, entuziasmul, convingerea \u2014 pare s\u0103 se fi oprit c\u00e2ndva, aproape pe nesim\u021bite. Pe vremea lui Maiorescu, un popor t\u00e2n\u0103r \u00eemprumuta formele f\u0103r\u0103 fond. Azi, am putea privi spre Fran\u021ba (sau spre Occidentul matur) \u0219i vedea un fond epuizat care continu\u0103 s\u0103 sus\u021bin\u0103 forme frumoase, dar aproape muzeale. \u00centr-o sut\u0103 \u0219i ceva de ani am ajuns la o simetrie melancolic\u0103 \u00eentre tinere\u021bea mimetic\u0103 \u0219i b\u0103tr\u00e2ne\u021bea formalist\u0103. Exist\u0103, fire\u0219te, tinere\u021be \u0219i \u00een Fran\u021ba. Doar c\u0103 nu pare s\u0103 mai bage \u00een seam\u0103 formele din trecut. Le las\u0103 s\u0103 se odihneasc\u0103, poate, \u00een lini\u0219tea lor monumental\u0103, \u00een timp ce caut\u0103 alte forme de expresie, mai efemere \u0219i mai libere. Poate c\u0103 acolo se ascunde adev\u0103rata re\u00eennoire \u2014 nu \u00een zidurile p\u0103strate, ci \u00eentr-un nou mod de a privi lumea. \u00centrebarea care se pune atunci e simpl\u0103: vor mai supravie\u021bui oare formele \u00eenghe\u021bate ale Fran\u021bei \u00een noua lume care va veni. 00"}